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BY KAVYA VATS Abstract Synthetic media generated through generative adversarial networks has, within less than a decade, evolved from a technological curiosity into a pervasive instrument of impersonation, sexual harassment, electoral manipulation and financial fraud. India, with the world's largest base of internet subscribers, has emerged as one of the most affected jurisdictions, yet it continues to address deepfake-related harms through scattered provisions of the Informa

By Ayaan Kakkar Abstract The proliferation of generative artificial intelligence systems capable of producing literary, artistic, musical and audiovisual outputs has unsettled the foundational assumptions of Indian copyright law. The Copyright Act, 1957, conceived in an era of exclusively human creation, presumes a natural person as the author of every protected work, with the limited statutory concession in Section 2(d)(vi) for computer-generated works pointing only to the p